Supported by The Ministry of Culture of the Russian Federation
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Supported by The Ministry of Culture of the Russian Federation

Nicholas Konstantinovich Roerich

Author name
Белое облако
1922
cardboard, graphite pencil, gouache, white colors, watercolor
27.2 × 38.4 cm
1.0033
Signatures, notes:

Монограмма справа внизу

Location of the works
Nicholas Roerich Museum. New York

Maurice Lichtmann, USA (1922); Sina Fosdick, New York (1939); Nicholas Roerich Museum (on loan since 1949; acquisition, 1963)

Window openings, open gates and doors, through which panoramic scenery is viewed – this the favorite technique of Nikolay Roerich, that was used by him for the rest of his life. These borders focus the viewer's eyes and look like a frame, creating a complete picture. Roerich liked semicircular roman-gothic arches. In 1922, in America, in the island of Monhigan, the artist admired the surrounding rocks, the ocean, the colors of stones and the sky. The sky had always attracted the artist: "Among my first childhood memories, first of all, there were beautiful patterned clouds that emerged. Eternal movement, generous transformations, powerful creativity tied my eyes to the sky for a long time... People are definitely divided into two types. Some are able to enjoy the heavenly architecture, but for others, it is silent, or, rather, their hearts are silent. But children can enjoy the clouds and elevate their imagination. But our imagination is nothing but a result of observation".

N. Roerich. The Heavenly Architecture.